MorphVerb is a multipurpose reverb plugin, whether you need a chamber, hall, algorithms for spring, ambience place, and a plethora of reverb effects. The beauty of this plugin is the fact that it supports multiple reverb types, it features a lush algorithm for Spring, Ambience, Echoes, Room, Chamber, or Plate. VST (Virtual Studio Technology) is a software plug-in format developed by Steinberg. These plug-ins generally come in one of three types: instruments, audio processors, or midi processors. They are among the most ubiquitous plug-in formats, and are what most people refer to when the term âsoftware plug-inâ is discussed.
Foreword
A quick word on reverb. Reverb is an effect that we use to adjust audio to make it sound as if it were being played in a particular environment. For instance, an instrument played in a sound booth sounds different when it is played in an amphitheater. This is because, in the sound booth, there will be very little reverberation when compared to the amphitheater. The environment affects the reflection (echo), delay, and decay rate of the reflected sound.
The Reverb effect is an essential part of the modern music world. When producing, most of the time, you feel like there is missing something. Thatâs the Reverb that makes the difference. People are using Reverb to avoid the signal sound so dry when they want to achieve better transitions in the passages, but also to bring up the atmosphere to the mix.
Before the days of digital, we used to add reverb (reflection, delay, decay) to a signal by adjusting knobs on a hardware box. Think about guitar pedals and amps. Then with the digital age, we can add reverb to an audio signal using the software. We may not know the difference between algorithmic (mathematical algorithm) and convolution reverb plugins because, on the surface, it may seem that they are just different ways of adding some reverb to enhancing our sound. Well, letâs dig in a bit deeper to reveal more information about what exactly Convolution Reverb is.
Convolution (or Sampling) Reverb is the effect and potent tool that simulates the audio environment and acoustic spaces. Even when you have less customization with convolution reverb, when we compare it to algorithmic reverb, it sounds more realistic, natural, authentic, and includes a high density of reflections. It doesnât mean that itâs not so good, but the difference is that algorithmic reverb simulates the fundamental process of the sound meanwhile convolution reverb using impulse responses that simulates real spaces and environments (that are converted into audio files/samples.) to generate the sound. The main problem with Convolution Reverb is that it could be more CPU intensive.
How Does Convolution
Before describing the convolution reverb, letâs take a quick look at algorithmic reverb. Free moog vst plugin. Algorithmic reverb tools create a reverberant effect by changing the incoming signal using digital delays and filters to simulate different âreverb environments.â The incoming audio signal is digitally altered.
Convolution reverbs use sampling â the same way we sample physical instrument sound dynamics and store them in software files. Convolution reverb tools have banks of physical environment samples that are blended with the original audio signal. This is done by recording an environmentâs Impulse Response (IR) to an audio signal. Our convolution reverb tool then blends (convolutes) that response sample with our audio so that it sounds as if the audio is being played in that environment.
What Are Impulse Responses, and how does it work?
An impulse sound (like a bang, pop, or longer sine wave sweep) is played in a physical space (lounge, cathedral, cave, etc.), and a recording of the response of the environment is made as a sample. So we are not sampling the initial sound. We are sampling the environmentâs response to the sound â Echo, delay time, decay, harmonics, and so on. This Impulse Response Sample is then stored the same way an instrument sample is stored in our DAWâs reverb tool.
When we add a convolution reverb, we adjust the extent that we want the IR sample to be blended with the original audio file. The original audio file signal is not adjusted, as is the case with analog reverb. With the convolution reverb, the original audio file is âblendedâ with the IR sample. With many convolution reverb IRs, the original sound and early reflections are much stronger than with algorithmic reverbs.
You do get a strong sense of sitting in real space rather than listening to a sound with a layer of reverb stuck on top. The trade-off is CPU usage. Convolution Reverbs use more computing power than analog reverbs.
How Do You Use Convolution Reverb?
Convolution Reverb Effects are used in different ways for different purposes.
You could use your convolution reverb plugin just to enhance your entire mix, or bring out an instrument in the mix. Like algorithmic reverb plugins, you can adjust your decay time, distance from the sound source, wet and dry mix, and so on. Now because convolution reverb VSTs work with samples, your IR sample does not have to be an acoustic environmental setting only. It can be another sound or instrument sample.
With this functionality, crafting original sound design possibilities are endless. For example; take a guitar power chord as your sound source and load a church bell sample as your IR sample. Your dry mix is your guitar, and your wet mix is your church bell. You have a new sound for a game. Play the church bell in reverse and see what happens!
Some plugins offer tons of IRs so that you can use only these that fit great with specific instruments (longer or shorter.) Letâs say that you need a long reverb to make the atmosphere â in the algorithmic unit, to affect the length of the sound; you have to change the parameters like â Size, Decay Time, Decay Rate, Space, Distance.
When Should I Use Convolution Reverb? (What it is good for?)
Convolution reverbs are great to apply on ambient acoustic sounds, like guitar pluck, which then can be used as a trigger for another sampled instrument like a synth sweep or can have a radical canyon echo. Itâs also great to use a to achieve original ambient sounds, acoustic room for your main drum bus, or atmospheric pads, but also, it would find good use in the sound design.
Other than that, itâs great to use on your landscapes, textures, effects, overheats, hi-hats, but also anytime when you want to make your sounds more unique. It can also be used as a custom sound design for videos and games. With the two examples above, we would put a convulsion reverb on the instrument track.
Alternatively, we would put it on the final output track of a mix to give the whole arrangement an effect. It is unlikely and undesirable that we would put different convolution reverb effects on each track of a multi-track arrangement.
When To Use Rather Convolution Over Algorithmic Reverb?
Well, the safe answer is, it depends.
Convolutional Reverbs can be very natural because they are samples of real-life acoustic environments. The disadvantage is that they are more CPU intensive than algorithmic. So if you are busy with a multi-track mix, how important is it for all the tracks to have different convolution reverb effects when you might add a reverb onto the final output track?
Remember, with convolution reverb, we are blending two audio signals â the original instrument or voice with an IR sample.
For example, we can have three tracks:
1. A Choir
2. The Tenor Vocal Soloist 3. An Organ
We may want to, but some analog reverb onto the tenor soloist to make the voice fuller. Now we want two versions of the arrangement, one in a chapel and one in a cathedral. We would put our convolution reverb either on a bussed track or on the output track, then bounce the same arrangement performed in two different environments.
Various factors determine the quality and flexibility of the reverb:
The higher the sample rate of the IR, the more natural the effect, and the higher the CPU usage and potential latency issues. For more information on this subject, check How And When To Use Algorithmic And Convolution Reverb In Your Mix.
Best Convolution Reverb Plugins For Music Production In 2020 (Also FREE)
Convolution reverb plugins are useful for both music and audio post-production engineers. Which plugin you choose depends on your area of specialization and budget.
Here are ten options for you to choose from:
10. WizooVerb W5 Convolution Reverb
Windows
-Windows XP or higher
-VST 2.0-compatible host software with 5.1 surround support -5.1 surround compatible audio hardware -DVD-ROM drive for installation -Internet connection (via any computer) for software activation
Mac
-Mac OS X 10.3.8 or higher
-5.1 surround compatible audio hardware -DVD-ROM drive for installation -Internet connection (via any computer) for software activation -VST 2.0-compatible host software with 5.1 surround support
WizooVerb W5 claim to fame is full 5.1 surround sound, combining the authenticity of HDIR ( High Definition Impulse Response) impulse-based reverb with the of Wizooâs A.I.R. algorithmic reverb.
All completely editable for creative expression. The plugin including 100 pre-made presets where you can choose from. Compatible with VST hosts as well as a stand-alone operation.
Library content includes
Ambience, Basement, Booth, Cathedral Brick Wall, Cathedral Dome, Chamber Large, Chamber Medium, Chamber Small, Church Concrete, Church Wood, Concert Hall, Dance Club, Drum Booth, Drum Room, Forest Site, Opera, Orchestral Hall, Philharmonic Hall, Room Medium, Room Small, Scoring Stage, Stage, Studio Large, Studio Small, Swimming Pool.
9. Halls Of Fame 3 Free Edition Convolution Reverb
Windows
Windows 7+
VST and VST3 (32-bit and 64-bit) AAX (64-bit, Pro Tools 11+)
Mac
Mac OS 10.9 â 10.15
AU, VST, VST3 (64-bit only) AAX (64-bit, Pro Tools 11+)
The library contains two presets of the following well-known reverb modules:
Digital Legends:
-Lex 96L -Lex 96 -T600C -Bric M7 -R 880 -QRS 2496. -Even T 2016
Vintage Legends:
Overall features of each IR:
13 legendary reverbs with two presets each
Produced in stereo Detailed Impulse Responses Intuitive GUI with access to all important parameters
The majority of the presets were designed for use on vocals, but there are also several reverb settings that are suitable for use on drums, guitars, and various other instruments.
The registration and installation process seems to have been frustrating for many uses.
8. Convology XT
Windows
VST2, VST3, and AAX
Mac
AU, VST2, VST3, and AAX.
The 80s-90s DSP 1 Basic,
The 80s-90s DSP 2 Classic, The 80s-90s DSP 3 Pro, Plates, Springs Bright, Springs Boingy, Springs Warm, Echo Space, Vintage Amps, and Vintage German DSP.
The libraries are affordably priced.
7. Ableton Convolution Reverb Pro
Windows
7 SP1, 8 or 10+
Mac
Mac OS X 10.7 or higher
Ableton requirements
Live version 10.0 or higher
Max for Live version 6.1.9 or higher. 6. SIR3 Convolution Reverb
First, an upgrade from Sir2 to Sir3 is available.
Should you upgrade?
Yes. If you use your Sir2 often in your productions.
Why should you consider buying or upgrading?
Windows
32 and 64-bit
VST, VST3, AAX
Mac
32 and 64-bit
VST, VST3, AU, AAX
Sir3, SIR, WAV, AIF, FLAC, OGG
5. MConvolutionMB
Windows
Vista, 7, 8, 10+, (32-bit or 64-bit) VST, VST3, AAX compatible host (32-bit or 64-bit)
MAC
macOS (10.9+ 64-bit only)
VST, VST3, AU, AAX compatible host
Linux
Not supported, but it is apparently possible to run the plugins via Wine.
4. Waves IRL, IR31, IR-360, IR-Live
Windows
Windows 10+, 64-bit
Screen Resolution: Minimum: 1024Ã768. Recommended: 1280Ã1024 / 1600Ã1024
Mac
OS 10.12.6 upward Screen Resolution: Minimum: 1024Ã768 Recommended: 1280Ã1024 / 1600Ã1024
*USB displays are not supported as the primary display.
For the sake of the post, weâve decided to put Waves plugins together. The Waves IR-1, IR-L, and IR-360 plugins includes high-quality IR samples of acoustical spaces and synthetic reverbs. Other than that, it allows the user to adjust many parameters of these reverbs. The Waves IR-1, IR-L, and IR-360 Convolution Reverb plug-ins have many shared features, and in this article, we will simply refer to them all as the IR-series. Short product-specific features are described under each product heading below.
The Waves IR-series are designed to fill the gap between synthetic digital reverberation and sampled convolution reverbs. They feature convolution-based reverb samples with total control of the parameters. A feature of The IR-series is that the parametric adjustments to the IR samples are calculated offline so that the CPU overhead is minimized. They are then blended with the audio. The result is that you have the natural, high-quality sound of sampled space acoustics with control to shape the sound to your needs.
The IR-series library offers a set of high-definition IRâs. Waves paid special attention and care to the IR recording part of the product development by means of a special recording setup and method. The approach delivers an exceptional signal-to-noise ratio, very low harmonic distortion, and wide frequency bandwidth (20Hz-32kHz). The resulting IRs offer optimal sonic depth and dimension. This methodology for taking acoustical IR measurements was developed by Waves in collaboration with Professor Angelo Farina of the University of Parma in Italy.
More Info
Impulse responses samples were recorded in world-famous buildings, concert halls, auditoriums, and studios. IR1 has the ability to manipulate the acoustic environment in a very real way that can take your recordings âout thereâ literally. IR1 comes with over 100 spaces and places.
It lets you capture the sonic characteristics of your favorite rooms and hardware, and shape the reverbs with precision. Everybody wants to play the big rooms. With the IR1, youâre there.
IR360
More Info
IR 360 is IR1, with 5.1 surround.
All major motion pictures with 5.1 Surround sound requires spatial simulation that makes for a believable experience. Only the accuracy and complete control of convolution reverb audio manipulation will do it. That is why top sound engineers use Waves IR360. This fantastic audio processor delivers the impact of surround sound using the cutting-edge science of IR convolution technology.
IR-L
More Info
The IR-L is essentially an IR-1 with fewer controls and adjustment options
Do you need to recreate the authentic sound of actual acoustic spaces? Then there is no alternative to the realism and flexibility of the IR-L.
IR-Live
More Info
Waves IR-Live is a convolution reverb designed for the dynamic environment of live performances where the sound engineer needs quick and quick results with easy access to mission-critical controls. IR-Live includes presets by leading Front-of-House engineers, providing the go-to reverb sounds theyâve developed over their years of professional experience. Fully compatible with the Waves IR1 impulse response library, IR-Live brings the worldâs most fabulous venues and hardware straight to you, all with real-time, low-latency performance.
3. Fog Convolver
Potential buyers just need to be aware that it doesnât offer (or claim to provide) the usual convolution staple of high-end reverb, for that, youâll need to import your own IRs.
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Windows
XP SP2, 7, 8, 10+
32 and 64 bit VST2 or AAX Requires 170 MB
Mac
OS X 10.7 â macOS 10.13 VST2, AU, or AAX 32-bit and 64-bit host Requires 190 MB
2. Reverberate 2![]()
Windows
Windows XP or higher
Best Reverb Plugins
Mac
Mac 10.7 or higher
VST 2.4, AU, AAX 32-bit or 64-bit DAWs 500 MB disk space Fusion-IRs require up to 20 GB 1. Altiverb 7 Regular
There are two versions of Altiverb:
Altiverb Regular
Stereo input and output
96 kHz sampling rates Windows â AAX Native, VST. Mac OS X â AAX Native, AU, MAS, VST, RTAS.
Stereo and 5.1 surround input and output
Up to 384 kHz sampling rates TDM plug-in for Pro Tools HD 10, 9, 8 Windows â AAX Native, VST,RTAS. Mac OS X â AAX Native, AU, MAS, VST, RTAS,TDM.
If you intend to use a convolution reverb as a primary tool in your workflow, Altiverb itâs well worth the investment. Altiverb with the regular updates gives the most extensive selection of IRâs and effects. This plugin delivers much cheaper, conventional reverbs, producing long reverb tails in huge spaces and sounds very realistic. It has warmth, excellent transparency, and separation, and the reverb tail flow out of the original recording does not give the impression of being superimposed or stuck in the end.
Drum kit and percussion tracks sound tremendous played through some of the shorter IRs. It is the way the original recording blends with the applied acoustic IR that makes the final result so realistic. Choral arrangements placed in various churches are transformed into the real thing.
After using Altiverb, you will struggle to go back to using conventional digital reverb tools.
Conclusion
The free options such as Convology XT and MConvolutionEZ are great when starting with convolution reverb effects. You will likely need to move onto larger IR libraries and more control as you become more proficient and your deliverables more demanding. Low budget and occasional use convolution reverb option, Wavesâ IR1 could definitely suffice. Reverberate 2 offers some unique features and more in-depth control than many other plugins in that price range. For more information about Reverb, feel free to check this post on How to Use Reverb In Your Mix.
Disclosure: When you buy through our links, we may get a commission at zero cost to you.
I am very sure you have heard or use a reverb effect multiple times in your music projects, and if you havenât used it in your projects, youâve come across it on most occasions, but you arenât aware itâs a reverb.
Before we dive into the best free reverb vst plugin, let me briefly explain what a reverb effect does, you can skip this section if you arenât new to reverb effects.
Reverb is the simulation of the sound of space. This space could be your bathroom, a small room, concert hall, chamber and so on. For example, the sound is different when you clap in the bathroom vs when you clap in a concert hall and this is because the spaces and the reflections build-up are different in each room, the larger the room the greater or wider the reverb, the smaller the room, the lesser the reverb.
Why Use Reverb Effects?
Youâll mostly find reverb effects in every music producer toolbox, and can be used to create all sorts of effects but it can easily be misused too, basically reverb effects can be used toâ¦
Since we know the importance of using reverb, I would be recommending some of the best free reverb effects plugins in the music production scene right now.
Note: Here are the best paid reverb effects
Letâs get crackingâ¦
1.) Smart Electronix â Ambience
A friend recommended Ambience to me a few years back, and the moment I tested it, I was literally blown away.
One of my favorite features of Ambience is the hold parameter which smartly freezes the reverb tail until the button is released or you can think of it like freezing the reverb effect in a suspended state.
You can use this for creating a reverse reverb effect, special effect and you can even automate the knobs.
The ambience is a donationware plugin. You get a nag screen with no limitation, and if you love the plugin, you can donate to the developer.â
Download: Win 32 VST / Mac OSX VST
2.) Impulse Record â Convology XT
A free convolution reverb from Impulse record, in case, you arenât aware, convolution reverb uses software profiles to digitally simulate the reverberation of space, and uses a pre-recorded audio sample of the impulse response of the space being modeled.
This is exactly how Convology XT works, the impulse-response recording is stored in a digital audio signal processing system, and then convolved with the incoming audio signal to be processed.
Convology XT comes with a free 70 Vintage Reverb Impulse Response Files. If you so wish, you can also purchase more impulse responses from the Convology XT library, other than that, it is absolutely free with no nag.
Also, it features an intuitive interface to browse through the libraries, allows you to quickly test run presets and audition on the fly while the music is playing.
I didnât mention it supports both WAV and AIF files right, well, now you know. I donât know if youâve ever imagined using stretch (long reverb) when using a reverb plugin, Convology XT doesnât only include Stretch, you also have an option for decay time scaling, EQ, frequency-dependent decay time scaling, time reverse, and amplitude envelope.
Requirements:
Download: Convology XT
3.) EpicMStudios â Dimension +
Dimension + is a really super simple plugin that simulates sound reverberation in variable size spaces.
Top Reverb Vst Plugins Synth
It features three controls:
Download: Dimension Plus
4.) Synthescience â Feezechamber
The Freexechamber is a free reverb plugin by Synthescience for simple reverb effects.
I sometimes use this in place of Ambience plugin if I want to play with the Freeze switch, the switch enables the user at any moment (while the Verb is processing) to Hold the process into a suspended state.
It comes with few presets, which can be used to lay down quick ideas.
Download: Feezechamber
5.) Antress â Modern Spacer
Modern Spacer is a plugin by Antress which comes in 2 versions, silver or black, each offering the same parameters:
Note: Supports only Win 32; VST
Download: Modern Spacer
6.) Anwida Soft â DX Reverb LightVst Best Reverb Plugin
This is the light version of the original DX Reverb. The light version contains only one simplified algorithm of the 11 available algorithms in the full version, even with the limitation, DX Reverb Light can be handy for a quick reverb effect.
Download: Win 32 VST / Win 64 VST / Mac OSX VST / Mac AU
7.) Signaldust â Abstract Chamber
I donât know if you ever notice undesirable reverb effect when used for longer reverb sounds, it sounds frustrating some times, with Abstract Chamber you can create a longer modulated reverbs whole also maintaining a natural yet abstract spatial impression.
It only supports VST
Download Abstract Chamber
8.) TAL-Reverb III
TAL-Reverb 3 is designed to be used as a stereo plate plug-in, which is the replacement of its predecessor (TAL-Reverb-II). This new edition has several improvements such as an optimized GUI and some changes in the reverb algorithm.
Additionally, TAL-Reverb 3 has a simple EQ section, a meter display and shows actual slider values.
Features:
Specification Requirements:
Download: Windows / Mac
9.) Voxengo â OldSkoolVerb
Voxengo plugins have been my best and ready to go plugin for my music production toolbox.
OldSkoolVerb emulates the classic stereo verb algorithm and produces a crystal clear spatial image that blends well with an audio file.
This reverb tool comes bundled with various sets of parameters permitting a user to achieve different reverb styles ranging from room reverb to hall reverb to plate reverb.
âThe Voxengo OldSkoolVerb is best used for a non-percussive and soft-attack sound like vocals, piano and pad soundsâ.
Specification Requirement
Download OldSkoolVerb
10.) U-he- Protoverb
Protoreverb aids as reverb research for u-he, and now, they are releasing it to the public for free. It is an experimental plugin that is based on a room simulator reverb.
According to u-he:
Most algorithmic reverbs try to avoid resonances or model the reflections of sound from a roomâs walls. Protoverb does the opposite. It builds up as many room resonances as possible, modelling the body of air in the room. No need to modulate or colour the signal.
Free Reverb Plugins
Requirements:
Vst Reverb Plugin Free
Download U-he- Protoverb
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